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It also employs Henry Louis Gates' theoretical concept of "Signifyin(g)"- "black double-voicedness because it always entails formal revision and intertextual relation" (The Signifying Monkey 51)- to analyze two blues poems, "The Weary Blues: (1923) by Langston Hughes and "Ma Rainey" (1932) by Sterling Brown. Vonnegut’s experimentation with these narrative elements reveals the postmodern relative assimilation of fiction and reality.īeginning with the question "what constitutes jazz poetry?", this paper elucidates the musico-historical link between blues and jazz genres. The character’s discourse is approached via employing Mikhail Bakhtin’s modes of dialogic discourse. The narrator will be scrutinized by applying Gérard Genette’s concept of the focalization factor. The analysis of the novel’s plot will rely on Patricia Waugh’s self-reflexive metafictional devices. Rather, it is a beginning of ideological dialogic fiction between the text and the world. Thus, metafiction does not formulate the beginning of new genre signifiers. The central differentiation being made, then, is that accurately postmodern metafiction and what might be considered therapeutic experimentation in a self-justifying manner. The critique is oftentimes utilized in order to proclaim a literary complex relation which lies between the author and the reader. For this reason, self-reflexive metafiction being discussed conflates fictional experimental forms with ideological critique which attests to its fictionality in the name of replenishing manipulation. It will be argued that Vonnegut mixes real experiences with fictional accounts. Vonnegut accomplishes his critique through manipulating the novel’s plot, narrator, and character’s discourse. Accordingly, this study explores Vonnegut’s critique of literary exhaustion prevailing modernism’s exhausted literary forms in order to provide them with permanent literary replenishment. That is, the literature of exhaustion and the literature of replenishment dominating modern literature. On the outset of postmodernism, two critical issues have been raised. The study focuses on Vonnegut’s experimentation which assents to postmodern innovative virtuosity. This article demonstrates how Kurt Vonnegut experiments with the narrative structure of his novel Slaughterhouse-Five. Such voice originates in the main narrative point of view in the text and is known as focalization. For this later style, the self-justifying manner in the novel extrapolates textual dialogic relations to accentuate the author’s critical voice. What makes the majority of metafictional style unique is not only its presence in the novel, but also its conflated depiction of the American individual’s suffering after the Second World War. Accordingly, the article uses Patricia Waugh, Gérard Genette and Mikhail Bakhtin’s narrative theory to examine the experimental technique in the novel. Experimentation is thus remedial replenishment for such exhaustion through authorial metafictional intrusion into the text. Vonnegut experiments with the narrator, setting and characters of the novel to provide a fictional critique of the literary exhaustion prevailing in modern literary modes. As a novel recapitulating within itself a postmodern relative perspective of reality, it elucidates one aspect of postmodernism, that of literary experimentation. This article explores Kurt Vonnegut’s Slaughterhouse-Five (1969) as a postmodern critique of modern literary modes. In conclusion, I wish to present how Slaughterhouse Five allows a positive paradigm shift in historiography with the historical, literary, and philosophical ideas Kurt Vonnegut presents through postmodern literature. I will discuss Vonnegut’s philosophy of time and how a non-linear view of time plays an important role in the representation of history in present, past and future events. Vonnegut’s usage and display of time is interwoven with the characteristics of historiographic metafiction. I will discuss how this is used, and to what benefits this form of historiography can adhere to the limitations of writing first-person experiences and events within a war. After which, I will discuss Vonnegut’s genre of historiography, that being historiographic metafiction. Primarily, I will focus on why and how it occurred, as well as why it was kept out of the media for so long. This paper is a close reading of Kurt Vonnegut's work of literary fiction entitled Slaughterhouse Five, primarily it's contribution of the genre 'historiographic metafiction' to postmodern historiography, The question I will address is ‘How does Vonnegut contribute to the postmodern historical literature through the usage of historiographic metafiction?’ I will address the question by, firstly, giving a summarized description of the bombing of Dresden, the history of the event, and the historiography behind it. Mobil 1 advanced synthetic motor oil is designed to deliver outstanding engine protection from the five factors that can damage engines over time and protect critical engine parts for up to 10,000 miles between oil changes (1). The original auto part must be returned using the provided shipping label.Mobil 1 advanced full synthetic motor oil 5W-30 helps to extend engine life for vehicles of all ages. 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It's used because humans, frequent subjects of graphic manipulation, contain no green pigment, so it's easy to key out green without accidentally keying out part of the central subject. There's nothing magical about the color green or even a particular shade of green. The most common color is green (as you might guess from the term "green screen"). With everything except your graphic selected, choose the color you want to use to designate your alpha matte. Now everything except your graphic is selected. To invert the selection, click on the Select menu and choose Invert. In other words, you need to mark the pixels that will be turned invisible. That's because you're creating an alpha matte to define what in your graphic will be replaced by something else. You have your graphic selected, but what you actually want to select is everything except your graphic. To grow a selection, click the Select menu and choose Grow. I sometimes do this when I want to impose or thicken a border around a graphic. If you feel your selection is too tight, you can give yourself a little slack by growing the selection. In the Paths panel, click the Path to Selection button. Now select the Paths panel from the Windows > Dockable Dialogs menu. Start by opening this graphic of Tux the penguin: I recommend GIMP or Glimpse, but mtPaint or Pinta or even Inkscape can work just as well, depending on the nature of your graphics and your ability to translate these instructions to a different tool. To prepare a graphic with an explicit color reserved exclusively for a chroma key, open the graphic in your favorite graphic editor. For that to work, you must know the colors in your graphic. Instead, you can pick a color and turn it into an alpha value of 0 in your game framework. The value of alpha can range from 0 to 1, with decimal points being valid entries.īecause an alpha channel can be expressed in several different ways, relying on an embedded alpha channel can be problematic. RGBA graphics contain red, green, blue, and alpha. RGB graphics, for example, have red, green, and blue channels. Free online course: RHEL technical overviewĪn alpha channel is information saved in a graphic to identify pixels that are meant to be transparent.That's a simplified explanation, but it demonstrates the origins of what is known as the alpha channel in computer graphics. The chroma key technique (also known as green screening) was originally developed as a chemical process, in which a specific color (blue at first and later green) was deliberately obscured by a matte during the copying of a film negative, allowing another image to be substituted where there once was a blue or green screen. Chrominance, or chroma, describes the saturation or intensity of a pixel. In computer graphics, there are a few values that contribute to how a pixel is rendered. This article describes the most sure-fire way I know to work around that. Other times, your framework and your graphic asset don't agree on where the alpha channel is located (or that an alpha channel exists at all), and you get pixels where you wanted transparency. It's 100% transparent or 0% opaque and functionally "invisible." That means it renders no new pixels where there's alpha, leaving that doughnut hole empty. Sometimes, your programming framework, whether it's Python Arcade, Pygame, LÖVE, or anything else, detects the alpha channel and treats it (after the appropriate function calls) as transparency. For example, if you were to draw a doughnut, the doughnut hole would be filled with alpha, and you could see whatever was behind it.Ī common problem is how to find the alpha part of an image. Alpha is the part of an image you don't see. Alpha is, essentially, the "color" of invisibility or transparency. An advantage of the PNG format, which is not available in a JPEG, is the ability to store an alpha channel. Whether you're programming a game or an app with Python or Lua, you're probably using PNG graphics for your game assets. You may have to select a menu option or click a button. Follow the instructions for disabling the ad blocker on the site you’re viewing.You may have more than one ad-blocker installed. You’ll usually find this icon in the upper right-hand corner of your screen. Click the icon of the ad-blocker extension installed on your browser.When it turns gray, click the refresh icon that has appeared next to it or click the button below to continue. Click on the large blue power icon at the top.Click the UBlock Origin icon in the browser extension area in the upper right-hand corner.It will turn gray and the text above will go from “ON” to “ OFF”. 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Carry-on Liquids: What Can You Carry in Your Hand Luggage? | Skyscanner Canada Allowed in Your Carry-On Luggage: Exceptions Are you allowed medication in your carry-on luggage? However, if you are travelling outside of Canada be sure to double check the rules from the country you are visiting that may apply to any food not consumed in-air. You can bring solid food items when travelling throughout Canada without restrictions and often include items like fruit, snack bars, and sandwiches. Yes, but the same regulations apply for the number of liquids allowed which includes liquid food. Can you bring food from outside the airport on the plane? There are often rules that will limit the number of carry-on liquids permitted on board, the type of liquids permitted (for example, many countries have regulations for food that is allowed to be transported across the border) and the regulations of the amount of alcohol permitted depending on the regulations and length of travel abroad. Yes, be sure to consult the local regulations to the country you are travelling to or from. Use this as your standard clear plastic bag to fill with your allowed carry-on liquids! Carry-on Liquids: What Can You Carry in Your Hand Luggage? | Skyscanner Canada Does the amount of liquid that you are allowed vary by country? If you are packing at home, note that the approximate dimensions of a one litre/quart bag are 15.24 cm by 22.86 cm (6 in. This type of bag is distributed at the security area of most major airports, for your reference and convenience. You are only allowed one quart/litre-sized bag (single, clear, closed and resealable) containing your liquids, food, and personal items in your carry-on baggage. Otherwise, they should be packed with your checked luggage. In your carry-on luggage, you are only allowed liquids, gels, and aerosols in a container that’s 100 ml (100 grams / 3.4 oz) or less. How much liquid are you allowed in your carry-on luggage? But be sure none of the items fall into the restricted or prohibited items category. ‘Aerosols’ are any hairspray or shaving creams in a spray container and count towards your carry-on liquids. ‘Gels’ include any non-solid food items such as jam, pudding, yogurt, and personal care products such as deodorants and hair gels. What Counts as a Liquid?Īny liquid, gel or aerosol counts as towards the allotted amount permitted on board. Many low-cost airlines only allow one personal item like a small backpack or purse and will charge extra for overhead and checked luggage. However, the rules will vary based on airlines and aircraft. This size includes wheels and handles and must be light enough that you can place it in the overhead bin without the need of assistance. Find out what you can and can’t bring onboard your carry-on luggage with you on your next trip! Carry-on Liquids: What Can You Carry in Your Hand Luggage? | Skyscanner Canada How Big Can Carry-on Luggage Be?Īn standard sized carry-on luggage is 55 cm x 23 cm x 40 cm (21.5 in x 9 in x 15.5 in) along with one personal item that is 33 cm x 16 cm x 43 cm (13 in x 6 in x 17 in). As airlines continue to raise their rates for checking in luggage, more and more travellers are opting to go carry-on only. The trickiest requirements and carry-on standards often involved travelling with liquids in your hand luggage. When it comes to keeping all your baggage on hand while flying, there are a number of requirements on how much you can bring on-board. Wang's work, however, encompassed huge amounts of professional classics for experts and students in his field, as well as expositions and even instrumental books that are accessible for amateurs and beginners. People in ancient China compared monographs as "carving dragon" and small articles as "carving bugs". His works have helped set up the foundation of Chinese linguistics and still ignites the zest of numerous students today to explore the beauty of the Chinese language. It was at this spot that Wang and his family lived for 29 years, a period in which he accomplished many academic monographs of great importance, including A Draft History of Chinese, Chinese phonology and Strict pattern learning of Chinese poems. Stepping in front of the two-story compound in such a chilly night, with bare branches and aged fences firmly standing in the strong wind, one cannot help but imagine the ever-glowing lamp that accompanied Professor Wang Li throughout his academic career in Chinese linguistics, bringing hope and encouragement to passers-by in the midnight. No.60 Yannan Garden, previously Wang Li's residence, is now the office of PKU College of Engineering. He founded the first department of Chinese linguistics at Sun Yat-sen University, and devoted all his life to the development of linguistics in China. He was one of the founders of Chinese modern linguistics and a high-yielding scholar, with over 40 monographs and more than 200 papers covering almost all fields of linguistics, including phonetics, grammar, dialect, rhyme schemes, lexicology and history of the Chinese language. Peking Univeristy, December 22, 2020: Wang Li (1900-1986), towering linguist, educator, translator and poet. Interesting info on the crossed swords, will have to go do some Czech army research now.any suggested sites? Much appreciated. I have purchased alot of the black painted helmets issued in Czech Rep for restoration purposes years ago. I purchased it from a guy in Poland so all makes sense. I think you have now solved for me the meaning of those markings, stands to reason it was a Czech reissue set. Thank you so much for your message and welcome aboard. Otherwise, nice set, congratulations to koupy.Omluvte my spelling, my English, I write through the Google prekladac.Pripadne questions leave me in the post, or in my account, I do not know whether the thread again traced to the other answers, here's a new anemam's still enough of oriented. Rare original US Army issue M10 carrier for the M8 gas mask In overall very good condition with some minor wear as seen - All straps, buckles, fittings and. A lot of German outfit Rig was in storage in the Czechoslovak army, so no surprise that the mask has also been taken, but that does not mean it was used. It's not the letter X, this means that the brand swords in saltire and it is significant for the acceptance of the Czechoslovak army. Any light shed on those blue marking much appreciated. Original Item: These are 100 genuine WW2 manufactured M1VA1 Army Service Gas Mask Carry Bag for the M1A2, M2, M2A1 & M2A2 Gas Mask. Found some waffenampt eagle emblems stamped in red under the rubber fold. Other markings include the standard manufacturer codes to the various parts, 43' to the snout and 44' to the lenses etc. Reads '56x50' & '2/38' on the can lid, '56x50' on the filter with a dot and '56x50' on the rubber mask body.all in the same blue paint. One thing that puzzles me is the paint or ink stamped marking present to the filter, can and mask itself. Paid $150 for it which I figured was a good deal and all are in pretty good condition. US Army Assault Gas Mask Bag - WW2 Repro M7 Carrier M5 Respirator Waterproof New. Recently purchased this gas mask set from a guy in Poland on ebay. |
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